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My goal is to give a detailed, organized review that highlights the positive characteristics of the work, while also touching on any areas that might benefit from some editing. All of my reviews are, of course, just suggestions and meant to be helpful to the author. I am always available via WDC email if more input is needed on any aspect of the review.
I look at the title, premise, overall structure first. Then I see how it makes me feel. After that, I might comment on little errors which are easily fixed.
I dissect stories like a surgeon with a poet’s hands—probing the emotional marrow, not just the bones. My reviews prioritize thematic resonance, psychological authenticity, and prose that feels before it explains. I’ll ask why the rain in your story smells like regret, or how the silence between lovers becomes its own character. Technical critiques (pacing, grammar) come only if requested—I’m here to unravel why your story haunts, not just how it functions.
Friends,
1. I always like to look at the positive aspects of the story I am reviewing and highlight them.
2. This is because I firmly believe in the principle, "The best building is that building which stands on the strongest foundation."
3. And I believe that the strongest foundation, in the case of a story, is that of appreciation and gratitude for its author.
Essayist
While I consider myself apt enough to provide decent, kind feedback, I'm not the sort of person to laud a man's writings. Instead, I seek to find smaller, more intricate points of interest within their writings so that I might offer suggestions and feedback so that they might better aid the flow of their work.
I don't like using a template. I don't like correcting spelling. I don't like correcting grammar. I don't want to be your editor. I enjoy discussing what I have read. I am very happy to tell people what I have liked and what I have disliked. There is not a lot that I dislike.
I try to imagine I've just taken a seat in the waiting room at a doctor's office and picked up a magazine to pass the time. Suddenly - what's this? - I stumble upon your little work of art. As a result of reading your story, either I will 1) I like it so much I MUST have it, so I stuff the magazine down the front of my shirt and hope the doctor isn't checking my heartbeat today, or 2) Become so nauseated at the ineptitude displayed by your chicken scratches that I will beg the doctor to consider me for an emergency euthanasia. Chances are it will be somewhere in the middle.
I am thorough. The technical aspects are important to me as much as if the story makes sense. The word "cruel" has been used before when responding to a review I've given, but in an appreciative and kind way.
Disclaimer: I am not good at remembering to do requested reviews. Often I have busy things going on with work and my own novels, so sorry if I decline or don't remember to do a review in the short time given. Just a warning.
When I review: Long. Depending on the type of story and reason for review I tend to get anywhere from 4,000 characters to on the rare occasion over 10,000.
I will make overall comments, technical points and even offer sources when necessary but a lot is dependent on what I'm reviewing. I can even do a full edit but that's take a lot of niceness and time.
I like to be analytical in my reviewing. The most interesting pieces of writing often work on a number of different levels, and so I try to consider multiple perspectives when informing the author of what I liked or disliked about their piece. For this reason, I don't get along very well with templates, as I find they turn the whole process into something very clinical! You can expect my reviews to be a fluid, tailored discussion of your individual work.
I have a review template that is only used for in depth reviews, usually those that are specifically requested. These will be as comprehensive as I can manage, including everything I have noticed in reading the piece. Most of my reviews, however, are more in the nature of reactions to the piece with brief notes on things I find particularly good and suggestions on dealing with any obvious flaws in the writing.
As a reviewer of your work, I will first look for identification in what you are presenting. When a reader can truly identify with the writer, emotion sets in and the story becomes a part of the reader as well as the writer.
I like to always pick out the positive points in a piece, even if overall I am not enamoured by it.
I tend to point out grammatical and spelling errors.
I will be honest, but not unkind
I enjoy reviewing and try to be as honest as possible. I look for specific things such as technical merit, flow and lyrical quality in poems, creativity, tone, and mood. Though I can be a tough critic, I strive to encourage writers to grow and challenge themselves. I feel that it is through constructive criticism that we grow as writers. I strive to give the writer feedback on the overall impact of the piece. I am the host and judge of the "Shadows and Light Poetry Contest" and co-host of the "Roots & Wings Contest"
I tend to try and be fairly succinct, I have a deep love for verbose and interesting language, taking large preference to poetry.
If you want some critique or suggestion on such, I'd be happy to help!
In a single word, thorough. I will turn your piece upside down, shake the change out of its pockets and look at even the most minute details. I can be technical but will do so when emphasizing a larger point about the piece as a whole.
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